Tubereuse Imperiale Bdk Parfums

Unisex
Eau de Parfum
Year: 2016

At a glance

Is Tubereuse Imperiale Bdk Parfums worth trying?

Tubereuse Imperiale by BDK Parfums is a Oriental fragrance for women and men.

Best match
Evening wear in Fall
Performance feel
Excellent longevity with Strong sillage
Signature profile
white floral, tuberose, woody with Geranium, Rosebay Willowherb, Indian Tuberose

The first impression

Tubereuse Imperiale by BDK Parfums is a Oriental fragrance for women and men. Tubereuse Imperiale was launched in 2016. The nose behind this fragrance is Cécile Matton. Top notes are Geranium and Rosebay Willowherb; middle notes are Indian Tuberose, Ylang-Ylang, Jasmine Sambac, Egyptian Jasmine and Iris; base notes are Madagascar Vanilla, Benzoin, Sandalwood, Cashmeran, Singapore Patchouli, Incense and Cypress.

What shapes the scent

white floral 100%
tuberose 85%
woody 70%
yellow floral 60%
vanilla 50%
amber 40%
powdery 35%
warm spicy 30%
sweet 25%
animalic 20%

The perfumer behind it

Cecile Matton

Cecile Matton

Cecile Matton has worked with brands such as BDK Parfums, Chloé, Diptyque, and Etat Libre d'Orange. Her creations include Tubereuse Imperiale, Nomade Lumiere D'egypte, and Venise, showcasing a range from rich florals to bold, artistic scents. She is recognized for her versatility and ability to interpret diverse briefs.

Notes pyramid

Top Notes

First impression · 15-30 min

Geranium Geranium
Rosebay Willowherb Rosebay Willowherb

Heart Notes

Core character · 2-4 hours

Indian Tuberose Indian Tuberose
Ylang-Ylang Ylang-Ylang
Jasmine Sambac Jasmine Sambac
Egyptian Jasmine Egyptian Jasmine
Iris Iris

Base Notes

Lasting impression · 4+ hours

Madagascar Vanilla Madagascar Vanilla
Benzoin Benzoin
Sandalwood Sandalwood
Cashmeran Cashmeran
Singapore Patchouli Singapore Patchouli
Incense Incense
Cypress Cypress

The mood it creates

The Sovereign Archetype: Portrait of Tubereuse Imperiale Bdk Parfums

Essence

This person is ruled by the Queen archetype, a figure of cultivated power, refined sensuality, and unshakable self-assurance. Like the tuberose-voluptuous, intoxicating, and commanding-they exude an aura of regality, not through brute dominance, but through an effortless magnetism. The Queen does not seek validation; she bestows it. She does not chase trends; she defines them. In Jungian terms, she embodies the mature feminine principle-nurturing yet authoritative, indulgent yet disciplined.

Shadow

Yet every sovereign has a darker court. Their flaw is pride, not the petty vanity of insecurity, but the quiet, unyielding belief that their way is the only way. They can be unforgiving, mistaking compromise for weakness. When crossed, their displeasure is not explosive but glacial-a slow withdrawal of warmth, a silent demotion from their favor.

They may also mistake luxury for depth. In their pursuit of the exquisite, they risk becoming connoisseurs of surfaces, valuing the bottle over the wine. Their discernment can curdle into snobbery, their confidence into rigidity. The Queen who forgets her humanity becomes a statue-admired, but untouchable.

Conclusion

Their tastes are unapologetically opulent, yet never gauche. They prefer the weight of silk, the gleam of polished wood, the slow burn of a well-aged whiskey. Their home is a sanctuary of curated beauty-antique mirrors, fresh orchids, a single bold painting that commands the room. They despise clutter, not out of minimalism, but because excess must be deliberate.

Philosophically, they believe in the art of living well-not as hedonism, but as a discipline. Pleasure, to them, is not indulgence but mastery. A perfectly set table, a meticulously chosen fragrance, a conversation that lingers like the last note of a symphony-these are their rituals. They value tradition, not out of nostalgia, but because they recognize the power of enduring elegance.